Lucy Fur
2013

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Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur
Lucy Fur

This shoot was the fourth collaboration between myself and Lucy, and all things considered, it has to be one of the most ill-fated in terms of actually getting going. We’d planned to shoot at Woolhouse Studios in High Barnet, with me travelling from North London, Lucy from out of town. We soon discovered, though, that the weather, and the tubes, trains and buses of London were determined to do their best to stop us shooting. We eventually got to the studio an hour or so late, by way of bus, train, tube and taxi, but not before passing each other on different trains, me heading south, Lucy heading north, and lots of phone calls and texts. The highlight was probably me leaning out of the taxi window yelling “Lucy! Lucy” to the rain sodden Miss Fur dragging her case sullenly along the pavement in High Barnet as we finally managed to be in the same place at the same time.

And, even once we were at Woolhouse, the fun didn’t stop. Two trips to the shops for batteries and supplies were required before we’d even set up the first shot, and throughout the shoot, it’s fair to say that an inordinate amount of clumsiness was on show. I could’ve been stuck in a lift with Sylvester Stallone and Jason Statham and told them how crap The Expendables was, and still come away with fewer bruises, I reckon.

Fortunately though, and as ever when I collaborate with Lucy, we’ve come away with some great shots that I’m particularly proud of. Our starting point for this shoot was Hollywood glamour, and Hollywood noir, two themes that I continue to return to. Unfortunately for me, it’s getting to the stage where I want to go the whole hog, and purchase a couple of decent fresnel lamps, Arri’s or Lupo’s, but that’s going to have to wait a while, I suspect... I reckon some dodgy Chinese import fresnels might have to do to start with, until I get the proper hang of it. Anyway, back to the rainy Saturday with Lucy, and our strobist shoot at Woolhouse. We took our inspiration from Hollywood portraits, and movie/publicity stills of the forties. Certainly, we weren’t slavish in copying, but as noted, taken these images as our starting point.

I’ve also been noodling with Aperture adjustments of late, as well, and am pretty happy with the post-production on these images as well. Originally, my intention was to only produce mono images from the shoot, but a good number of the colour finishes I’m very happy with, as well, so I’ve included those here as well. They kind of have a Douglas Sirk feel, in a way, but definitely ‘kind of’. Anyway, hope you like. Lucy and I are both super happy with the results, for sure.
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